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Unicycle Trial video by Frank Vroemen. Canon 550D test. Special Thanks: Mitch van den Bergh.

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test on glidecam HD 2000 with canon 50mm f/1,4

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Spot for lambano shoes, great new shoe company coming out with some great new designs.
Shot on a 5d M II & edited in PremierPro & After Effects, Cineform transcode for editing

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The movie should be max. 3 minutes long and the condition was to stick to this specific dialog:
“What is That?
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It’s a unicorn
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Never seen one up close before
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Beautiful
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Get away, Get away
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I’m sorry”

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This was shot on the Canon 5D except the low angel shot of the boots kicking the leaves that was shot on 7D at 60FS.
Lenses used were:
Canon EF 17-40mm f/4.0 L USM
Canon EF 50mm F/1.8
Most of it was shot on the 17-40mm lens. We used a Steadicam Pilot and a few hand held shots. Converted it to ProRes and then cut and color corrected in FCP.
Steadicam OP: Mike Heathcote

Louis Vuitton Spec from LensFlare Films on Vimeo.

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A test sequence of a film I am working on with a friend of mine about the ways/places we go to get away and clear our minds. No big meaning here, we all have a special place we enjoy going to when we need to just chill out.
Short clip (not finished). This is a short in progress. Title TBD. Shot on a Canon 5D Mark ii with all FD lens.
Album Leaf – « Tied Knots »

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:: Editing/Grading : After Effects
:: Camera : Canon 5D Mk II
:: Lenses : Canon 50mm 1.4 &
:: Model : Manon
:: Music : The Album Leaf – Window

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Iceland is more alive than ever, bursting with energy, activity and hospitality.
Take a look for yourself – click and be inspired by Iceland!

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Dendrite Studios is proud to release the official trailer for our debut 2010 HD ski film « Out of the Shadows. »
Proudly shot in the mountains of British Columbia, Out of the Shadows features the finest athletes who have been in the shadows for too long. This is their shot and their opportunity to break out on film. They bring their lives with them and shred the mountains with un-inhibited passion on a daily basis. We bring you their stories.
Featuring the return of PY Leblanc, the forgotten legend Chris Turpin, World Champion Brett Crabtree, Swedish sensation Jon Larsson, and a giant swarm of new comers including Maxim Arsenault, Eliel Hindert, Christian Boucher, Dave Treadway, Mathieu Gagnon Theriault, Ian Cheddar Watson, Dave Gheriani, Adam Topshee, Alex Blais, Athan Merrick, Jake Cohn and Matt Elliott.
Arriving in the fall of 2010…

Cette semaine fut marquée par le teaser enfin dévoilé de Lagoa Multiphysics un puissant moteur physique qui fonctionne sous ICE.  Une autre chose aussi, c’est la sortie de Magic Bullet Colorista 2, le plugin d’aide à l’étalonnage de Red Giant Sowtware. Certes ça ne change pas votre vie, mais pour les visiteurs intéressés qui passent, ça nous fait des joujoux en plus!

Côté jeuvideo on a pu voir Lara Croft et le Gardien de la Lumière ainsi que le teaser du prochain Ghost Recon: Future Soldier, j’ai rajouté à la suite de l’article la vidéo de l’E3 2010 concernant le gameplay et les premières images ingame.  Et enfin, celui qu’on attend tous, les images ingame (E3 2010) de Crysis 2 – Marine Salvage.

Côté court métrage, l’épisode 2 de Manifest Destiny a été release (et oui je bilinguise mes phrases). C’est un vrai chef d’œuvre réalisé au Canon EOS 550D (petit frère du Canon EOS 7D), un vrai plaisir.  On a également cette vidéo tournée au Panasonic Lumix GH1, je ne la met pas dans les Coups de Cœur, il manque une certaine narration, trop facile sinon de mettre une belle musique et de filmer sa rue   Cela dit, elle mérite d’être vue, ainsi que Mongolian Racer, ce fabuleux reportage au bout du monde.

Pour le reste, rendez vous au cinéma pour Inception, de Christopher Nolan !


On fini ce Best Of Week avec la vidéo inutile de la semaine, bon appétit à tous.

Nous recherchons encore des newsers, si vous avez envie de faire partager des vidéos, vous êtes les bienvenus !

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Productora QUIMELCA Barcelona.
Montaje y Realización: Juan Miguel del Castillo.
Ha obtenido 15 premios en distintos festivales de España y el extranjero. Los mas destacados:
Mejor director de cortometraje español y mejor interpretación femenina Festival de Cine de Huesca.
Mejor director nacional Festival de Cine de Girona 2005.Mejor cortometraje Instituto Andaluz de la Juventud 2006. Mejor corto nacional y Premio RTVA Mejor creación andaluza Festival de Cine de Antequera 2006.

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« I need hardly remind you that people are more inclined to believe in bad intentions than in good ones, and hence my account will carry no less conviction than yours. »
-The Decameron, Boccaccio
This was a 0$ budget short student film shot in NYC.
Richie is a normal guy who tackles the question many of us face in life about how much to trust people. Just as Richie decides to give up on humanity, things change for him.
Directed by Aaron KOHN
Written by Robert CAUDY
Starring Kostas PARAGIOS
Shot on a Canon 7D
with Support from Zeiss, Indisystems, Humble Monkey, Columbia University Film Productions.

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A horse trainer and his 10-year-old jockey face the biggest day of their year at Mongolia’s Naadam festival, which dates back to before Genghis Khan’s time and celebrates the ‘manly sports’ of wrestling, archery and racing.
By guardian.co.uk staff Dan Chung and Tania Branigan.
Shot on Canon 1DmkIV, 5DMkII, 550D and GoPro HD cameras.

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Movement outwards
Expansion
A film I have been working on and off on since 2007. Wasn’t able to mold it into what I wanted, but at this point I am just happy to call it done. Regardless I am happy with how it has turned out. Please, Constructive criticism is welcome.
Mixture of 16mm shot on a Bolex and my DVX100b (with 35mm adapter and without)
Image and effect editing done in Adobe After Effects
Sound Design by Dana Billings and Nils Hoover

EPISODE ONE !

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Every time I find myself the recipient of one of these late night phone calls, tramping through some back alley behind another dark abandoned warehouse . . . Stuttering another secret password. . . Entering another hastily constructed operating room. . . Scalpel in hand, performing another indescribable procedure . . . I see another pair of eyes . . . By now in the hundreds . . . Staring . . . Whenever I try to sleep . . . Another member of an unenviable audience. . . Asking a painfully simple question for which I have no answer . . . Why . . .
Cranston says I need to “detach”. I suppose he’s right. I can no longer bear their judgment. I leave them here. . . On the table . . . As I scribble my signature on the confidentiality agreement, I leave them to their fate . . . I say goodbye . . .
Canon HV30, JAG35pro, FCE4, Garageband, JES deinterlacer, Red Giant Quicklooks

EPISODE TWO !

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I’m not a bad man. . . Though, bad people have asked me to do bad things and I’ve done them. . .
I’m still not a bad man. . .
They keep staring. . . Beseeching me to stop. To put my instruments of torment down. . . To release them from their bonds and fling wide the laboratory doors. . . Animals. . . Human beings. . . Sentient life of unknown origins. . . Every living thing I’ve poked and prodded. . . Every creature I’ve eviscerated in the name of scientific exploration. . . One by one they gather before me. . . Staring from the darkness of eternity. . . If only they would end my life as mercifully as I ended theirs. . . They move in, stalking me as their prey. . . Closer. . . My limbs powerless to assist me. . . My heart firing like an automatic as they surround me in accusation. . . I cannot close my eyes to break their stare. . . My jaw dropping in a soundless scream of terror. . . Please God, end this. . .
Canon T2i, EF 1.8II 50mm, kit lens w/macro, wireless bluetooth camera dolly, Zoom H2, Final Cut Express 4, Red Giant Looks, Logic Express 8
30p, iso 200-400, f-stop 1.8-2.4, shutter 60, halogen white balance
Almost all the lighting was done with regular halogen lights you can get at Home Depot. We used a softbox for only two of the shots. We also used a 6700k 100 watt cfl we bought from Ace Hardware. The cfl was used to create the « movie darkness » for the interior shots. Dolly shots were done with a computer controlled, wireless bluetooth dolly that we built ourselves with parts from robot websites and Home Depot.

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Shot and edited this in only a few hours today. I had to get permission to shoot in this EPIC old junkyard near my home. The place has been around since the 1930’s and it is full of cars from the 30’s, 40’s, and 50’s. There are literally hundreds of cars just like this one there. The forest has reclaimed a lot of the land and the place is surreal.
I wasn’t sure how much time I was going to have to edit this so I intentionally shot this with a warm white balance using my T2i. I wanted it to have a warm look to it so in case I didn’t have time to color it I shot it warm. This is straight from the camera.
For lenses I used a 50mm1.8 with Fader ND and the Tokina 11-16 f2.8 (in love with this lens..lol)
I left a great number of awesome looking shots out in order to squeeze 90 seconds. Going to edit up a longer piece and return to this place to interview the old lady who owns this place.

Le making of dans la suite…