Petite devinette, de qui est cette vidéo ? Philip bloom bien sur ! à l’Apple iPhone en plus!
Commentaire de l’auteur:
Shot, rendered and music added within the itimelapse app.
This is not full rez as I can’t get the upload to Vimeo feature working right now so this is a lower rez version. Original is much better.
L’iPhone 4 contre le fameux Canon EOs 7D… le petit jouet de chez Apple s’en sort pas trop mal !
Mais qu’est-ce donc que ce titre barbare ? En gros, avec un iPhone, impossible d’avoir la profondeur de champs d’un objectif photo ou cinéma(PL). Le seul moyen est donc d’ajouter un objectif là dessus ! Pour cela il ne faut pas que l’iPhone filme la scène mais qu’il filme une image de la scène sur un verre dépoli (ou un papier calque pour les bricoleur), et par devant, insérer un objectif photo. Ici c’est le canon EF F1.8 qui est utilisé. Généralement le grand classique revient au Nikon F1.4. Il y a un grain fou, mais ça a vraiment son charme.
Commentaire de l’auteur:
We worked with the guys at OWLE to come up with a prototype with only slight modifications or additional diopters / macro close up filters.
Filmed using a Canon EF 50mm f1.8 lens
I definitely recommend using an iPhone app called « Almost DSLR ». It will flip the image so that you can view it right side up and will lock in focus, exposure and do much more.
For our static EnCinema 35mm Adapter visit us at vid-atlantic.com or contact us at: info@vid-atlantic.com
TO SEE WHERE AND WHAT MACRO CLOSE UP FILTERS WERE USED TO MAKE THIS HAPPEN, Please Visit our blog at vidatlantic.tumblr.com
For more info on the OWLE Bubo please visit: wantowle.com
Bientôt Camera + 1.2 sur iphone (ha bravo c’est facile ça de recopier le titre). He bien je vous laisse avec ce sneak Peek…
Voilà donc un clip musical tourné à l’iPhone 4 !
L’HD 720p visiblement ça plait à beaucoup de monde !
Commentaires de l’auteur:
In an effort to release the first iPhone 4 music video, my good friend and musician Steve Failows [AKA flakjakt] and I collaborated over a period of less than a week to create the first iPhone 4 music video.
In 2 days (and up until an hour before the shoot), Steve wrote a new track specifically for this video and we loosely conceptualized for those 2 days in an effort to be first out of the gates with an iPhone 4 music vid. Our main goal, however, was simply to make a good music video, no matter what the camera.
Of course, I knew there would be obvious technical hurdles, so everything was structured to be shot to take advantage of the camera’s strong points. Lack of lighting, aperture and shutter speed control were all taken into consideration when planning. And because I knew a lot of the camerawork would be locked off (something I rarely do), a lot of the cinematic vision was going to be dependent on how I cut everything together in post.
So, post production you ask? Seriously crazy. Going into it the goal was to create a video with a unique creative vision; something quirky, entertaining and yet, intimate and sincere.
I transcoded all footage to ProRes422. Once ingested into FCP I realized how much footage I had. I won’t say how much, but let’s just say we were crazy to shoot in 9 locations in 1.5 days! Overall the footage was surprisingly crisp (aside from low-light locations). I typically color correct in After Effects, but given the editing rush, I did everything out of Final Cut Pro. Although the result was a bit rushed and rough, we ended up embracing the look and think that it helps translate emotion well onscreen.
Hopefully people can forget it was shot on the iPhone and enjoy it for its content.
Attention les images que vous allez voir peuvent heurter la sensibilité des « anti-Apple » Ces images ont été tournées par des professionnels et en aucun cas vous ne reproduirez ce genre de vidéo chez vous.
Je suis sur que vous avez deviné qui se cache derrière la prod! Philip Bloom évidemment !